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(1)
papers (2) data (3)
books see also
our page at Academia (1) papers: 16 -
Maessen, G., Van Kranenburg, P., and Conklin, D. (2022). Het Mozarabisch
melos en andere tradities [Old Hispanic and other Chant Melodies - A
Computational Comparison]. In Maessen, G., Heimwee naar wat nooit is
geweest - Bespiegelingen over het Gregoriaans [Nostalgia for what never
was - Reflections on Chant], pages 109-140, Gregoriana Amsterdam 2022. Second
edition, pages 86-108, Gregoriana Amsterdam 2023 15 -
Conklin, D. & Maessen, G. (2019). Generation
of melodies for the lost chant of the Mozarabic rite.
Applied Sciences, 9(20), https://www.mdpi.com/2076-3417/9/20/4285 14 -
Maessen, G. (2019). Aspects
of Melody Generation for the Lost Chant of the Mozarabic Rite.
In Proceedings of the 9th International
Workshop on Folk Music Analysis, 2-4 July 2019, Birmingham, UK, (pp.
23-24), http://fma2019.bcu.ac.uk 13 -
Maessen, G. (2019). Toledo,
Rome and the Origins of Gregorian Chant - An Alternative Hypothesis.
In Proceedings of the 9th International
Workshop on Folk Music Analysis, 2-4 July 2019, Birmingham, UK, (pp.
21-22), http://fma2019.bcu.ac.uk/ 12 -
Maessen, G. (2019). The León
Antiphoner: MEI and Manual Encoding.
Paper presented at the Music Encoding Conference, Vienna, Austria, 29 May - 1
June, 2019, https://music-encoding.org/conference/2019/program/ 11 -
Maessen, G. & Van Kranenburg, P. (2018). A
Non-Melodic Characteristic to Compare the Music of Medieval Chant Traditions.
In Proceedings of the 8th International
Workshop on Folk Music Analysis, 26-29 June 2018, Thessaloniki, Greece, (pp.
78-79), http://fma2018.mus.auth.gr 10 -
Maessen, G. & Conklin, D. (2018). Two
Methods to Compute Melodies for the Lost Chant of the Mozarabic Rite.
In Proceedings of the 8th International
Workshop on Folk Music Analysis, 26-29 June 2018, Thessaloniki, Greece, (pp.
31-34), http://fma2018.mus.auth.gr 9 - Van
Kranenburg, P. & Maessen, G. (2017). Comparing
Offertory Melodies of Five Medieval Christian Chant Traditions.
In Proceedings of the 18th ISMIR
Conference, Suzhou, China, October 23-27, 2017, (pp 204-210), https://ismir2017.smcnus.org 8 -
Maessen, G. & Van Kranenburg, P. (2017). A
Semi-Automatic Method to Produce Singable Melodies for the Lost Chant of the
Mozarabic Rite. In Proceedings of the 7th International Workshop on Folk Music Analysis,
14-16 June 2017, Málaga, Spain, (pp. 60-65), http://fma2017.uma.es 7 - Maessen,
G. (2016). Evaluating Computationally Restored Mozarabic Chants. Paper
presented at the 18th meeting of the IMS Study Group CANTUS PLANUS on August
6 in Dublin, Ireland. Handout.
6 -
Maessen, G. (2014). First Results of a Computational Analysis of Old Hispanic
Chant. Paper presented at the 17th meeting of the IMS Study Group CANTUS
PLANUS on July 30 in Venice, Italy. 5 -
Maessen, G. (2014). Towards a Reconstruction of the Old Hispanic
Threnos-Melody. In I.A.H. Bulletin Nr.
42 / 2014, A Sacred Soundscape, 27e biennial IAH conference Amsterdam
(Netherlands) August 11th-16th, 2013, Part II, (Graz-Opole 2014) 77-85. 4 -
Maessen, G. (2010). A Softwaretool for Defining Performance-Styles of
Tenth-Century Chant. Paper presented at the 3rd MARGOT-conference (the
Digital Middle Ages conference) on June 16, Barnard College, Columbia
University, New York, USA. 3 -
Maessen, G. (2010). New
Perspectives on Restoring Tenth-Century Chant Melodies. Paper presented at the 45th International Congress on
Medieval Studies on May 14 in Kalamazoo, Michigan, USA. 2 -
Maessen, G. (2013). Fluxus:
Music Notation for Performing Tenth-Century Chant.
In: Barbara Haggh-Huglo & Debra Lacoste (eds.) Papers Read at the 15th Meeting of the IMS Study Group CANTUS PLANUS
Dobogókő/Hungary, 2009. Aug. 23–29. (Lions Bay 2013) 909-928. 1 -
Maessen, G. (2003). Visual Impairment and Notational Impairment, Gregorian
Chant and Braille. Paper presented at the international conference on braille
music notation on June 21 in Madrid, Spain. (2) data: (3) books: Maessen,
G (2023, 2nd edition). Heimwee naar wat nooit is
geweest - Bespiegelingen over het Gregoriaans,
[Nostalgia for what never was - Reflections on
Gregorian chant], Gregoriana
Amsterdam. Order this book at ABC. Maessen,
G (2022). Heimwee
naar wat nooit is geweest - Bespiegelingen over het Gregoriaans,
[Nostalgia for what never was - Reflections on
Gregorian chant],.Gregoriana
Amsterdam. Maessen,
G. & Conklin, D. (2019). Amplificate
Oblationem, Generación computacional de melodías para el canto perdido del
rito mozárabe (fase III: 2017-2019).
Amsterdam: Gregoriana Amsterdam. Una copia impresa esta disponible en: ABC. Dutch text.
Maessen,
G. (2016). Saint Martin de Tours,
Office mozarabe & Messe gallicane, Une reconstruction computationelle des
chants. Amsterdam: Gregoriana Amsterdam. Une version imprimée est
disponible sur commande auprès de ABC.
Maessen,
G. (ed.) (2015). Calculemus et Cantemus, Towards a
Reconstruction of Mozarabic Chant. Amsterdam: Gregoriana Amsterdam.
Including Audio CD. Maessen,
G. (ed.) (2012). Wim van Gerven, pionier van de
gregoriaanse semiologie in Nederland. [Wim van
Gerven, pioneer of the semiological movement in chant in the Low Countries] Amsterdam: Gregoriana Amsterdam.
Order the book at ABC. Maessen, G.
(2011). Scores for Tenth-Century Chant.
Amsterdam:
Gregoriana Amsterdam. It's
all about Fluxus scores. Order the book at ABC Maessen,
G. (2008). De tweede fase in de reconstructie van het gregoriaans - Een
studie over reconstructie en notatie van het tiende-eeuwse gregoriaans. [The Second Phase in Restoring Gregorian Chant - A
study on Restoration and Notation of Tenth-Century Chant] Amsterdam: Gregoriana Amsterdam.
Maessen,
G. (2002). Transcription
of Gregorian Chant in Braille.
Amsterdam: Gregoriana Amsterdam. |